Micky Ashman

British jazz bassist. Micky Ashman, a renowned figure in British jazz known for his exceptional bass playing, left an enduring legacy in the genre before his passing on August 21, 2015. Throughout his prolific career, Ashman showcased his mastery of the double bass and played a pivotal role in shaping the British jazz landscape. His journey into the world of jazz began in the early 1950s when he first collaborated with Chris Barber in one of Barber's amateur bands, and their early recordings, such as "Misty Morning" in 1951, hinted at Ashman's exceptional musical talent. As the mid-1950s arrived, Ashman transitioned into the professional realm of jazz, joining Humphrey Lyttelton's band. In 1956, he made a triumphant return to Chris Barber's Jazz Band, further solidifying his reputation as a sought-after bassist. During his time with the Barber band, Ashman made significant contributions to two influential LP records, "Echoes Of Harlem" and "Volume 2 in the Chris Barber Plays series." These recordings not only showcased the band's growth and experimentation but also highlighted Ashman's impeccable bass playing on tracks like "Sweet Savannah Sue," "Whistling Rufus," and "One Sweet Letter From You." In the dynamic landscape of British jazz, Micky Ashman's journey led him through various musical endeavors. After parting ways with Chris Barber's band following Lonnie Donegan's exit in 1956, he joined Lonnie in creating one of the UK's most popular musical acts in the late 1950s. By the early 1960s, Ashman embraced leadership, forming "Micky Ashman's Ragtime Jazzmen." Although the group didn't achieve the same level of fame as some of its contemporaries, they contributed noteworthy recordings like "Tin Roof Blues." Micky Ashman's dedication to jazz was evident throughout his career. His versatile talent and impeccable bass playing solidified his place as a respected figure in British jazz history, and his legacy continues to inspire musicians and jazz enthusiasts alike.