The Forsaken Odes Conglomerate

This concept, initiated by Seal Phüric, first of all consisted in gathering unfinished sound material which has never found its place on any record, but nevertheless having a particular quality. Trionix, who Seal met up with at the Royal Conservatory of Mons (Belgium - electroacoustic/acousmatic section), quickly joined up for the cause, at first glance surreal, consisting in reworking, remixing, masticating and joining this material with a view to a relatively long abstract soundtrack, using acousmatic techniques without necessarily limiting itself to a basic "style exercise", but inclined to push things in a more instinctive direction, sometimes very physical, aiming at happily freeing the genres without any academic barrier.