Henry Purcell – The Fairy Queen - A New Concert Version
| Лейбл: | Decca – SET 499-500 |
| Формат: | Vinyl |
| Страна: | UK |
| Дата релиза: | 1977 |
| Жанр: | Classical |
| Стиль: | Baroque |
Подробнее об участниках записи
Треклист:
| Part I: Oberon's Birthday |
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| A1 | Symphony |
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| A2a | Now The Night Is Chas'd Away |
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| A2b | Let The Fifes And The Clarions |
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| A2c | Dance |
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| A2d | When A Cruel Long WInter |
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| A2e | Hail! Great Parent |
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| A3a | Thus The Ever Grateful Spring |
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| A3b | Here's The Summer, Sprightly, Gay |
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| A3c | See, My Many-Coloured Fields |
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| A3d | Next, Winter Comes Slowly |
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| A3e | Hail! Great Parent |
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| Part II: Night And Silence |
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| B1a | Prelude |
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| B1b | Come All Ye Songsters Of The Sky |
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| B1c | The Songsters |
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| B1d | May The God Of Wit Inspire |
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| B1e | Echo |
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| B1f | Now Join Your Warbling Voices All |
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| B2a | Scene Of The Drunken Poet |
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| B2b | See, Even Night Herself Is Here |
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| B2c | I Am Come To Lock All Fast |
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| B2d | One Charming Night |
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| B2e | Hush! No More! |
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| B2f | Dance For The Followers Of Night |
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| Part III: The Sweet Passion |
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| C1a | Overture |
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| C1b | If Love's A Sweet Passion |
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| C2 | The Plaint: O Let Me Weep |
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| C3a | Dialogue |
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| C3b | Dance For The Haymakers |
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| C4a | A Thousand, Thousand Ways |
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| C4b | Hornpipe |
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| C4c | Rondeau |
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| Part IV: Epithalamium |
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| D1a | Symphony |
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| D1b | Hark! Th'Echoing Air |
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| D1c | Sure The Dull God Of Marriage |
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| D1d | See, I Obey |
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| D1e | Turn Then Thine Eyes |
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| D1f | My Torch Indeed |
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| D1g | They Shall Be As Happy |
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| D1h | Chaconne |
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| D1i | They Shall Be As Happy |
Участники записи:
- Bass Vocals [1st Bass] – Owen Brannigan
- Bass Vocals [2nd Bass] – John Shirley-Quirk
- Bassoon – Martin Gatt
- Cello [Cello Continuo] – Kenneth Heath
- Chorus – The Ambrosian Opera Chorus
- Composed By – Henry Purcell
- Conductor, Score Editor [Edited By] – Benjamin Britten
- Countertenor Vocals [1st Counter-Tenor] – James Bowman (2)
- Countertenor Vocals [2nd Counter-Tenor] – Charles Brett
- Harpsichord [Harpsichord Continuo] – Philip Ledger
- Lacquer Cut By – G (22)
- Leader – Kenneth Sillito
- Mezzo-soprano Vocals – Alfreda Hodgson
- Oboe – Peter Graeme
- Orchestra – English Chamber Orchestra
- Score Editor [Edited By] – Imogen Holst
- Soprano Vocals [1st Soprano] – Jennifer Vyvyan
- Soprano Vocals [2nd Soprano] – Mary Wells (3)
- Soprano Vocals [3rd Soprano] – Norma Burrowes
- Tenor Vocals [1st Tenor] – Peter Pears
- Tenor Vocals [2nd Tenor] – Ian Partridge
Лейблы и идентификаторы:
- Matrix / Runout Label Matrix: Side A: ZAL 10502
- Matrix / Runout Label Matrix: Side B: ZAL 10503
- Matrix / Runout Label Matrix: Side C: ZAL 10504
- Matrix / Runout Label Matrix: Side D: ZAL 10505
- Matrix / Runout Stamped runout side A: ZAL-10502-3G
- Matrix / Runout Stamped runout side B: ZAL-10503-4G
- Matrix / Runout Stamped runout side C: ZAL-10504-3G
- Matrix / Runout Stamped runout side D: ZAL-10505-3G
- Other Cat # record 1: SET 499
- Other Cat # record 2: SET 500
Компании:
- Recorded At – The Maltings
Участники записи:
- Bass Vocals [1st Bass] – Owen Brannigan
- Bass Vocals [2nd Bass] – John Shirley-Quirk
- Bassoon – Martin Gatt
- Cello [Cello Continuo] – Kenneth Heath
- Chorus – The Ambrosian Opera Chorus
- Composed By – Henry Purcell
- Conductor, Score Editor [Edited By] – Benjamin Britten
- Countertenor Vocals [1st Counter-Tenor] – James Bowman (2)
- Countertenor Vocals [2nd Counter-Tenor] – Charles Brett
- Harpsichord [Harpsichord Continuo] – Philip Ledger
- Lacquer Cut By – G (22)
- Leader – Kenneth Sillito
- Mezzo-soprano Vocals – Alfreda Hodgson
- Oboe – Peter Graeme
- Orchestra – English Chamber Orchestra
- Score Editor [Edited By] – Imogen Holst
- Soprano Vocals [1st Soprano] – Jennifer Vyvyan
- Soprano Vocals [2nd Soprano] – Mary Wells (3)
- Soprano Vocals [3rd Soprano] – Norma Burrowes
- Tenor Vocals [1st Tenor] – Peter Pears
- Tenor Vocals [2nd Tenor] – Ian Partridge
