Johannes Brahms – Liebeslieder Walzer, Op.52 – Neue Liebeslieder Walzer, Op.65
| Лейбл: | Nonesuch – D-79008 |
| Формат: | Vinyl Digital |
| Страна: | US |
| Дата релиза: | 1981 |
| Жанр: | Classical |
| Стиль: | Romantic |
Подробнее об участниках записи
Треклист:
| Liebeslieder Walzer, Op. 52 | |||
| A2 | Am Gesteine Rauscht Die Flut
Choir – Los Angeles Vocal Arts Ensemble |
0:43 | |
| A3 | O Die Frauen | 1:11 | |
| A4 | Wie Des Abends Schöne Röte | 0:44 | |
| A5 | Die Grüne Hopfenranke
Choir – Los Angeles Vocal Arts Ensemble |
1:36 | |
| A6 | Ein Kleiner Hübscher Vogel
Choir – Los Angeles Vocal Arts Ensemble |
2:30 | |
| A7 | Wohl Schön Bewandt War Es
Mezzo-soprano Vocals – Mary Heyler |
1:26 | |
| A8 | Wenn So Lind Dein Auge Mir
Choir – Los Angeles Vocal Arts Ensemble |
1:25 | |
| A9 | Am Donaustrande
Choir – Los Angeles Vocal Arts Ensemble |
2:00 | |
| A10 | O Wie Sanft Die Quelle
Choir – Los Angeles Vocal Arts Ensemble |
0:56 | |
| A11 | Nein, Es Ist Nicht Auszukommen
Choir – Los Angeles Vocal Arts Ensemble |
0:53 | |
| A12 | Schlosser Auf, Und Mache Schlösser
Choir – Los Angeles Vocal Arts Ensemble |
0:46 | |
| A13 | Vögelein Durchrauscht Die Luft | 0:51 | |
| A14 | Sieh, Wie Ist Die Welle Klar | 1:00 | |
| A15 | Nachtigall, Sie Singt So Schön
Choir – Los Angeles Vocal Arts Ensemble |
1:09 | |
| A16 | Ein Dunkler Schacht Ist Liebe
Choir – Los Angeles Vocal Arts Ensemble |
1:14 | |
| A17 | Nicht Wandle, Mein Licht
Tenor Vocals – Paul Johnson (17) |
2:21 | |
| A18 | Es Bebet Das Gesträuch
Choir – Los Angeles Vocal Arts Ensemble |
1:27 | |
| Neu Liebeslieder Walzer, Op. 65 | |||
| B2 | Finstere Schatten Der Nacht
Choir – Los Angeles Vocal Arts Ensemble |
1:52 | |
| B3 | An Jeder Hand Die Finger
Soprano Vocals – Delcina Stevenson |
1:20 | |
| B4 | Ihre Schwarzen Augen
Bass Vocals – Michael Gallup |
0:52 | |
| B5 | Wahre, Wahre Deinen Sohn
Mezzo-soprano Vocals – Janet Smith (9) |
1:20 | |
| B6 | Rosen Steckt Mir Die Mutter
Soprano Vocals – Delcina Stevenson |
0:44 | |
| B7 | Vom Gebirge Well Auf Well
Choir – Los Angeles Vocal Arts Ensemble |
1:02 | |
| B8 | Weiche Gräser Im Revier
Choir – Los Angeles Vocal Arts Ensemble |
2:00 | |
| B9 | Nagen Am Herz Fühl Ich
Soprano Vocals – Delcina Stevenson |
1:31 | |
| B10 | Ich Kose Süss Mit Der Und Der
Tenor Vocals – Jonathan Mack |
1:09 | |
| B11 | Alles, Alles In Den Wind
Soprano Vocals – Delcina Stevenson |
0:43 | |
| B12 | Schwarzer Wald, Dein Schatten
Choir – Los Angeles Vocal Arts Ensemble |
1:30 | |
| B13 | Nein, Geliebter, Setze Dich | 2:13 | |
| B14 | Flammenauge, Dunkles Haar
Choir – Los Angeles Vocal Arts Ensemble |
1:33 | |
| B15 | Zum Schluss: Nun, Ihr Musen, Genug
Choir – Los Angeles Vocal Arts Ensemble |
3:05 |
Участники записи:
- Art Direction – Kathy Morphesis
- Art Direction – Ron Coro
- Choir – Los Angeles Vocal Arts Ensemble
- Composed By – Johannes Brahms
- Engineer [Recording Engineer] – Tony Beecher
- Illustration [Cover Illustration] – Michael Nelson (5)
- Mastered By – Bobby Hata
- Piano – Armen Guzelimian
- Piano – Raul Herrera (2)
- Producer – Shirley Walker (2)
- Recording Supervisor – Keith Holzman
- Sleeve Notes – Bernard Jacobson
Лейблы и идентификаторы:
- Matrix / Runout Side A, hand etched: D–79008–A7–SH–SP +
- Matrix / Runout Side A, hand etched: SLM + △552 SP 0-2
- Matrix / Runout Side B, hand etched: D–79008–B6–SH–SP +
- Matrix / Runout Side B, hand etched: SLM + △552-X 0 – 1 SP
Компании:
- Copyright (c) – Elektra/Asylum/Nonesuch Records
- Mastered At – Warner Bros. Recording Studios
- Phonographic Copyright (p) – Elektra/Asylum/Nonesuch Records
- Record Company – Nonesuch Records
- Recorded At – St. Albans Episcopal Church, Los Angeles
Участники записи:
- Art Direction – Kathy Morphesis
- Art Direction – Ron Coro
- Choir – Los Angeles Vocal Arts Ensemble
- Composed By – Johannes Brahms
- Engineer [Recording Engineer] – Tony Beecher
- Illustration [Cover Illustration] – Michael Nelson (5)
- Mastered By – Bobby Hata
- Piano – Armen Guzelimian
- Piano – Raul Herrera (2)
- Producer – Shirley Walker (2)
- Recording Supervisor – Keith Holzman
- Sleeve Notes – Bernard Jacobson
