Clément Janequin – XIX Chansons Nouvelles
| Лейбл: | Astrée – AS 3 |
| Формат: | Vinyl |
| Страна: | France |
| Дата релиза: | 1977 |
| Жанр: | Classical |
| Стиль: | Renaissance |
Подробнее об участниках записи
Треклист:
| A1 | Ung Gay Bergier |
|
| A2 | Jehanneton Fut L'autre Jour |
|
| A3 | L'espoir Confus |
|
| A4 | Il Estoit Une Fillette |
|
| A5 | Huillot Ung Jour |
|
| A6 | Secouez Moy |
|
| A7 | Une Belle Jeune Espousée |
|
| A8 | Ung Jour Robin |
|
| A9 | Plus Ne Suys |
|
| A10 | Baisez Moy Tost |
|
| B1 | M'amye A Eu De Dieu |
|
| B2 | Sy Celle La Qui Oncques |
|
| B3 | Las Qu'on Congneust |
|
| B4 | L'amour, La Mort Et La Vie |
|
| B5 | O Fortune N'estois Tu Pas Contente |
|
| B6 | J'atens Le Temps |
|
| B7 | Va Rossignol |
|
| B8 | Sim Come Ol Chiaro Sole |
|
| B9 | Ou Mettra L'on Ung Baiser |
Участники записи:
- Baritone Vocals – Charles Whitfield (3)
- Bass Vocals – Xavier Tamalet
- Composed By – Clément Janequin
- Countertenor Vocals – Henri Ledroit
- Design – Club Gutenberg
- Directed By, Sleeve Notes – Charles Ravier
- Ensemble – Ensemble Polyphonique De L'O.R.T.F.
- Mezzo-soprano Vocals – Amelia Salvetti
- Photography By – Studio Morlet
- Producer – Michel Bernstein
- Recorded By – Thomas Gallia
- Sleeve Notes – François Lesure
- Soprano Vocals – Véronique Dietschy
- Tenor Vocals – Jean-Claude Orliac
Лейблы и идентификаторы:
- Matrix / Runout side A [stamped]: Y 5 1Y 1 670 03
- Matrix / Runout side B [stamped]: Y 6 2Y 1 670 03
- Price Code : CM 4 80
Компании:
- Recorded At – Église Évangelique Allemande
Участники записи:
- Baritone Vocals – Charles Whitfield (3)
- Bass Vocals – Xavier Tamalet
- Composed By – Clément Janequin
- Countertenor Vocals – Henri Ledroit
- Design – Club Gutenberg
- Directed By, Sleeve Notes – Charles Ravier
- Ensemble – Ensemble Polyphonique De L'O.R.T.F.
- Mezzo-soprano Vocals – Amelia Salvetti
- Photography By – Studio Morlet
- Producer – Michel Bernstein
- Recorded By – Thomas Gallia
- Sleeve Notes – François Lesure
- Soprano Vocals – Véronique Dietschy
- Tenor Vocals – Jean-Claude Orliac
